Ginevra Petrucci, Principal
Praised by the Italian press as being “one of the most interesting talents of her generation”, and described as having “a beautiful phrasing, brilliant virtuosity and a legato worthy of a great singer” by The Flutist Quarterly, Ginevra Petrucci has performed in some of the most prestigious concert halls throughout Europe (Sala Accademica di Santa Cecilia and Villa Medici, Rome; Teatro La Fenice, Venice; Sala Maffeiana, Verona; Villa Pignatelli, Naples; Salle Cortot, Paris; Liszt Academy, Budapest; Chopin Academy, Warsaw), America (Carnegie Hall, New York; Kennedy Center, Washington D.C.), Japan (Ohji Hall, Tokyo), China, South America and Middle East. She performs regularly with artists such as Bruno Canino, Rocco Filippini, Paolo Carlini, Luca Vignali, Boris Berman, David Radzynski, Emmanuel Ceysson, Jory Vinikour and with the ensembles I Virtuosi Italiani, I Pomeriggi Musicali, I Musici di Roma, the Kodály Quartet. Her recordings include Giulio Briccialdi’s four flute Concerti with I Virtuosi Italiani, Friedrich Kuhlau’s quintets with the Kodály Quartet, Haydn’s flute Duets, the recital CD “The World of Yesterday” with Bruno Canino, Dupuy and Büchner’s Concerti with I Pomeriggi Musicali, the first CD entirely dedicated to the flauto d’amore and an all-Muczynski album. She is visiting professor at international institutions such as the Royal Academy in Dublin, the Paderewski Academy in Poznan, the Conservatorio Superior in Vigo and La Coruña, the European Culture and Performing Arts Association in Tokyo etc. She has worked with composers Kaija Saariaho, Steve Reich, George Crumb, Betsy Jolas and Jean-Michel Damase and she collaborates with Nuova Consonanza Contemporary Music Festival and La Biennale di Venezia. Born in Rome in 1989, she studied at Conservatorio ‘Santa Cecilia’ of Rome with her father, to continue her education at Ecole Normale ‘Alfred Cortot’ (Paris) with Pierre-Yves Artaud and at the Yale University (USA) with Ransom Wilson.
She is the President of the Leonardo De Lorenzo Association.
Mira Magrill (Piccolo)
Praised for her beautiful sound, natural stage presence, and energy, flutist Mira Magrill is an active musician, teacher, and soloist in the New York City area. Former teacher and Principal Flute of the New York Philharmonic Jeanne Baxtresser describes her as “a remarkable flutist in every area: talent, motivation, discipline, creativity, comfort in performance, and character.” Winner of the Music Teachers’ National Association Senior Woodwind Competition, she also received a Merit Award from the Arts Recognition and Talent Search, and was named Outstanding Soloist by the Oklahoma Flute Society. As Principal Flute in the Young Musicians Foundation Debut Orchestra, Mira was the featured soloist in the premiere of John Williams’ “War Horse” orchestral suite, conducted by Mr. Williams. She has also been invited to perform with many summer festival ensembles, including the Brevard Festival Orchestra, Round Top Festival Orchestra, Thy Chamber Festival (Denmark), the Atlantic Music Festival, and the Missouri Symphony Orchestra.
Mira grew up in Edmond, OK and began her musical studies on the piano at age 5, switching to flute by age 10. With a great passion for chamber music and community outreach, she has performed with various small ensembles in numerous concerts throughout the U.S., Denmark, Chile, Costa Rica, Italy and China. Also an avid performer of new music, she loves collaborating with composers to perform their works. As principal flutist of the International Opera Theater Orchestra, she premiered the new opera Iago by Carlo Pedini in summer 2009 in Citta della Pieve, Italy. She has premiered many new works by her father Sam Magrill including Odyssey Etude, Bagatelle, and Tango Flauto. She also performs in a variety of new music ensembles, including the LA based wild Up, collaborations with The Industry, and the Morton Feldman Chamber Players.
Mira currently teaches undergraduate flute at Stony Brook University as the graduate TA while pursuing a Doctorate in Flute Performance (DMA) with Carol Wincenc. Previous studies include a graduate certificate at University of Southern California, a BFA in Flute Performance at Carnegie Mellon University and an MM in Flute Performance and Chamber Music at the University of Michigan. Previous teachers include Jim Walker, Jeanne Baxtresser, Alberto Almarza, Amy Porter, Amy Zuback and Christina Jennings.
Slava Znatchenii, Principal
Slava Znatchenii has been called “a beautifully crafted musician” by The Met Opera Guild and the New York Times has noted Mr. Znatchenii for his shapely sound and velocity. The Times Union has described his oboe solos in the Brahms Requiem as “exquisite” and TheaterScene.net praised his playing for being “notably strong and expressive”. He has appeared as guest Principal Oboist with such orchestras as the New England Symphonic Ensemble at Carnegie Hall, the American Ballet Orchestra and DiCapo Opera Orchestra. Slava Znatchenii has served as the Principal Oboe of Chamber Orchestra of New York since the fall of 2007.
Most recently, Mr. Znatchenii became the principal oboist with the Classical Concert Chamber orchestra and toured extensively throughout Spain, France and several other European countries. As a member of the Verbier Chamber Orchestra in 2007, Mr. Znatchenii has toured throughout North America and Europe under the direction of Maxim Vengerov as soloist and conductor. Slava has also performed with such conductors as Pierre Boulez, Kurt Mazur, Leonard Slatkin, David Robertson, Samuel Wang, John Mauceri and John Rutter.
A native of Moldova, Slava Znatchenii started his musical studies at the age of 10.He completed his Bachelor degree at the Mannes College of Music and holds a Masters and a Post Graduate Degree in Orchestral Performance from Manhattan School of Music, where he studied with Joseph Robinson, the principal oboist of the New York Philharmonic and Steven Taylor, the principal oboist of St.Lukes orchestra and the Orpheus Chamber Orchestra. Slava also studied English Horn performance and chamber music with the renowned English Hornist Thomas Stacy, also of the New York Philharmonic. Currently, Slava Znatchenii resides in New York City where he also enjoys an active chamber music career and maintains a private teaching studio.
Merideth Hite (English Horn)
Ben Baron, Principal
Hailed as a player of great “emotion, skill, and intensity” (Sioux City Journal), who “played with reverence” (New York Sun) and demonstrated “clean, incisive clarinet playing” (American Record Guide), New York–based clarinetist Benjamin Baron enjoys a diverse career as a performer, educator, and clinician. He has performed with the New York Pops, American Ballet Theater Orchestra, American Composers Orchestra, West Point Band, Belgian Radio Orchestra, and the London Winds, and has toured across North America, Europe, and Asia.
Baron can be heard as principal clarinet and soloist on recordings with the Philharmonic Orchestra of the Americas, Chamber Orchestra of New York, and The Knights Chamber Orchestra, all currently available on the Sony, Naxos, and Orange Mountain Music labels. As principal clarinet with the New York Symphonic Ensemble, Benjamin performed the Mozart Clarinet Concerto on the orchestra’s thirty-fifth year of summer tours throughout Japan. Additional solo engagements have included the New Haven Symphony, Sioux City Symphony, Ensemble du Monde, One World Symphony, as well as university bands and orchestras in both the United States and Europe.
A versatile musician, Baron has performed with a varied set of chamber, new music, theater, and jazz ensembles—including the International Contemporary Ensemble, Ensemble ACJW, Argento Chamber Ensemble, Paragon Ragtime Orchestra, Sylvan Winds, Quintet of the Americas, Either/Or Ensemble, Tommy Dorsey Orchestra, and the Broadway productions of On the Town, Wicked, and Mary Poppins. Festival appearances include domestic and international engagements in Verbier, Graz, Delft, Williamstown, the Hamptons, Napa Valley, and with the Glimmerglass Opera Orchestra.
As an educator, Benjamin serves as the director of instrumental music at Manhattan’s Calhoun School, and is an adjunct associate professor of music at Lehman College, City University of New York. He regularly presents master classes and clinics at universities throughout the United States, and has also taught within the precollege departments of the Manhattan School of Music and Mannes College The New School for Music. Baron holds graduate degrees from Yale University (M.M.) and the Manhattan School of Music (D.M.A.), where he studied with David Shifrin, Mark Nuccio, and David Krakauer. Undergraduate studies were completed with Robert Spring at Arizona State University (B.M.), with additional degree work earned at the Royal Conservatory of Belgium with Eddy Vanoosthuyse, funded through a grant from the Belgian-American Educational Foundation.
Baron’s book, The Audition Method, written in collaboration with Mark Nuccio, is currently available through GIA Publications. He is a D’Addario Performing Artist and an Artist/Clinician for Buffet Music Group.
More information is available at www.benjaminbaron.com
Clarinetist Anton Rist enjoys a varied musical career in and around New York City. He currently serves as the principal clarinetist of the Princeton Symphony Orchestra, and has performed with such ensembles as the Orchestra of St. Luke’s, the American Ballet Theater, and the Louisiana Philharmonic. In addition, Mr. Rist is a member of Le Train Bleu ensemble, and served as the principal clarinetist of the New Haven Symphony Orchestra during the 2012-2013 season.
During the summer months, Mr. Rist has performed at the Bravo! Vail festival, the Colorado College Music Festival, the Pacific Music Festival, and the Aspen Music Festival.
A dedicated teacher, Mr. Rist is in his second year as a Teaching Fellow in both the Music Advancement and the Arts Enrichment programs at The Juilliard School, and is a substitute teacher for The Juilliard Precollege. In addition, he is a faculty member of Nesin Cultural Arts in Monticello, NY.
A student of Jon Manasse, Mr. Rist received his Bachelor’s degree from The Juilliard School, and will receive his Master’s degree in 2015.
Stephanie Corwin, Principal
Praised for her “warmth and composure” (Wichita Eagle), Stephanie Corwin has established herself at the forefront of up and coming bassoonists. She was named the inaugural winner of the Meg Quigley Vivaldi Bassoon Competition in June 2005 and was a semifinalist in the 2007 Ima Hogg Young Artists Competition. An avid performer of chamber music, she received prizes at the Fischoff, Coleman, Chesapeake and Yellow Springs national chamber music competitions.
Stephanie has participated in the Yellow Barn Music Festival, Norfolk Chamber Music Festival, Spoleto Festival USA, National Repertory Orchestra, and the Aspen Music Festival.
With interest in and passion for historical performance, Stephanie also performs extensively on baroque and classical bassoons. Studying with Frank Morelli, she received her Doctorate of Musical Arts degree from Stony Brook University and her Master of Music degree from Yale University. Stephanie also holds a Performer Diploma in historical bassoons from Indiana University’s Early Music Institute, where she studied with Michael McCraw.
Natalie Pilla is quickly establishing herself as an active solo, chamber, and orchestral musician both in and around New York City. As a freelance bassoonist, Natalie has performed with the Metropolitan Opera Orchestra, American Symphony Orchestra, Brooklyn Philharmonic, Long Island Philharmonic, Albany Symphony, West Chester Philharmonic, and the Harrisburg Symphony.
In 2011, Ms. Pilla joined the Metropolitan Opera on tour in Japan performing La Boheme, Don Carlo and Lucia di Lammermoor. Under the direction of Fabio Luisi, she also performed with the Met Orchestra at Suntory Hall in Tokyo. While in NYC, Natalie performs regularly at Avery Fisher Hall, Alice Tully Hall and Carnegie Hall and has worked with such conductors as Gianandrea Noseda, Christoph Eschenbach and Alan Gilbert.
Natalie is co-founder of the Aeolian Collective, a chamber music ensemble that performs works written primarily for wind and brass instruments. She has performed chamber music throughout the country as well as in South America, Europe and Japan. Ms. Pilla collaborates with various emerging new music ensembles in New York City and was a featured soloist with The Chelsea Symphony performing the Mozart Bassoon Concerto.
As well as being a performer, Natalie is also an advocate for arts education. She is a teaching artist for the 92Y’s Musical Introduction Series where she brings music education to inner city schools in both the Bronx and Harlem. Ms. Pilla teaches bassoon at the Rudolf Steiner School and has taught at both Mannes and Juilliard precolleges.
Natalie received her Master of Music and Professional Studies Diploma from Mannes College of Music in NYC where she studied with Patricia Rogers. She received a Bachelor of Science in Music Therapy from Duquesne University Mary Pappert School of Music. Ms. Pilla’s principal teachers include Marc Goldberg, David Sogg and Shirley Curtiss.